The crucible is one of the simplest and most effective plotting tools. At its core is the relationship between the protagonist and the antagonist. The conflict they share spawns plot. It illustrates wonderfully the interwoven relationship enjoyed between character and plot.
Today I present a guest post by Ed White, writer of fantasy and science fiction. It's these two genres that his article focuses on, discussing their origins, their very essence, and, as Ed puts it, 'the legion' of sub-genres that have developed to make these genres two of the most exciting, inspirational and forward-thinking of all.
Dros Delnoch, Pelennor Fields, Julatsa, the Battle of the Bastards, Helms Deep. These are just some of the most iconic battles in fantasy. The writers of these epic clashes knew a thing or two about warfare, and this post aims to give you some research to aid your creation of the compelling and gripping clashes fantasy fans love so much.
Not long ago I read an article, the title something along the lines of "The Best Books for Aspiring Writers". One of them was a book you may have heard of: Letters to a Young Writer by award-winning writer, Colum McCann. Each time I pick it up it fills me with inspiration to write, its pages filled with practical and philosophical advice on the craft, some of which I've found tremendously helpful. There's a chance you may do too. So in this post, you’ll find five of my favourite bits of advice so far.
Last week I took a drive up the motorway to the Duchy of Lancaster and to one of the smallest castles in England: Clitheroe. The purpose of this post is to give you some ideas for your world-building and writing. We’ll first look at the castle's features before exploring what life would have been like in the castle back in ye day.
There’s been a hell of a lot of confusion over this rather significant change in the law, with people offering different advice based on their interpretations of the regulations. It’s fair to say a few people have panicked too, and who’s to blame them with threats of million pound fines for non-compliance. The aim of this article is to quell those nerves and to offer some practical advice for writers on complying with the new laws.