A good story is grown. It takes weeks, months, of careful nurturing, uncovering the meanings hidden within, fixing characters so they leap from the page, refining plot and prose to make it gripping and immersive. Just like growing a plant, a story requires patience and dedication.
I wrote to book reviewers and undertook polls on a number of Facebook groups: AmWritingFantasy (693 members), Fantasy Writers Support Group (5,447 members), The Phoenix Quill (846 members), and Writing Bad (8,000 members). The results are pretty interesting and hopefully will be of some use to writers.
This week I'm sharing a mix of articles courtesy of some of the excellent bloggers I follow. You'll find an interesting research piece on the use of the words 'and' & 'the', insights into querying agents, the importance of world-building, and a very sad development in the world of writing, one all writers should be aware of: reviewers selling ARCs.
Why the hostility toward flashbacks? If done well, they work. But done badly, they break the reader’s experience, preventing them from discovering what happens next in the story. To quote editor, Sol Stein, “If we are enthralled, we don’t want to be interrupted.” The trick, therefore, if you feel compelled to use one, is to use the flashback in as little a disruptive way as possible. Here are a few techniques to help you do that.