I wrote to book reviewers and undertook polls on a number of Facebook groups: AmWritingFantasy (693 members), Fantasy Writers Support Group (5,447 members), The Phoenix Quill (846 members), and Writing Bad (8,000 members). The results are pretty interesting and hopefully will be of some use to writers.
This week I'm sharing a mix of articles courtesy of some of the excellent bloggers I follow. You'll find an interesting research piece on the use of the words 'and' & 'the', insights into querying agents, the importance of world-building, and a very sad development in the world of writing, one all writers should be aware of: reviewers selling ARCs.
Why the hostility toward flashbacks? If done well, they work. But done badly, they break the reader’s experience, preventing them from discovering what happens next in the story. To quote editor, Sol Stein, “If we are enthralled, we don’t want to be interrupted.” The trick, therefore, if you feel compelled to use one, is to use the flashback in as little a disruptive way as possible. Here are a few techniques to help you do that.
Dialogue was one of the first aspects of creative writing I looked at on this here blog, and since then much has been learned on this crucial aspect of the craft. In this return article, we'll look at what dialogue in fiction entails and the ingredients necessary for making it the most effective it can be, before finishing up with a few helpful editing tips.
Yesterday I was delighted to join Jesper Schmidt of AmWritingFantasy.com for a chat about world-building. Thank you, Jesper for having me. I had a great time! It remains to be seen if any of you will be able to understand my scouse accent. I thought I’d share my notes about what we discussed, namely a minimalistic approach to showing worlds, the best tips I’ve come across for revealing worlds, and a few tips about building a world.