The General & The Visitor, two short stories written by myself and good friend Mark Brooks, has been on sale for two weeks. All proceeds are donated to Ranelagh House, a care home in my hometown of Liverpool. And we’re so close to hitting our initial fundraising target of £100!
After my research post looking at reasons why people stop reading a book, poor characterisation ranked top. I come across many articles looking at protagonists, but few to do with the bad guys, and a poorly characterised villain is just as off-putting as a poorly characterised hero. In this short article, you’ll read a few simple ways to make your bad guys of pure evil more compelling, and your conflicted antagonists more intriguing.
No helpful post from me this week I’m sorry to say, but back to normal next week. I’ve fallen behind on a few things in
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For some writers editing is the most loathsome part of the process. For others it’s their favourite. Yet undoubtedly it’s the most important, and given the rise in popularity of self-publishing, it’s more crucial than ever to know how to edit your work.
I’ve learned many harsh lessons since I began writing fiction, all of which have helped me improve as a writer. In this article I thought I’d share how I came to learn those lessons.
The passive voice was something of a mystery to me when I first began writing. Once I learned about it, panic consumed me like realising I’d not locked the front door while boarding a plane. Everything I’d written up to that point was riddled with it, dripping from sentences like phlegm.