When all you have for counsel is yourself, you can never be sure if a re-write is the right thing to do. What if the original version is better? What if I’ve made it worse? There are, however, some things we can do to help make this crucial and difficult decision a little easier.
A good story is grown. It takes weeks, months, of careful nurturing, uncovering the meanings hidden within, fixing characters so they leap from the page, refining plot and prose to make it gripping and immersive. Just like growing a plant, a story requires patience and dedication.
Another collection of tremendous articles for you today, featuring one of the best I’ve ever read: what editor’s want, how authors can take advantage of ebook piracy, up-lit, and three writing tips to always bear in mind. Enjoy!
I’m delighted to share with you a guest blog post I wrote for http://www.writingbad.org. This is part of my Fantasy Friday series (though please forgive it going live on Monday!). Fantasy is a genre rich with imagined creatures and beasts. Creations which haunt our dreams and make us walk that little bit faster after dark. This article first looks at a few of the more common monsters and then explores some methods to assist you in becoming the next Dr. Frankenstein.
There’ve been a lot of very good articles flying about in the past few days. I’ve tried to feature as many as I can. Below you’ll find a nice variety of subjects: literary jobs, showing v telling, livening up your book reviews, and some of the things that annoy readers most.
It’s Thursday (we’re almost there) and that time of the week to give you a round-up of some of the best articles I’ve come across in the past week. Today: self-editing, querying, writing myths, and growing your blog. You’re bound to find something of use.
Why the hostility toward flashbacks? If done well, they work. But done badly, they break the reader’s experience, preventing them from discovering what happens next in the story. To quote editor, Sol Stein, “If we are enthralled, we don’t want to be interrupted.” The trick, therefore, if you feel compelled to use one, is to use the flashback in as little a disruptive way as possible. Here are a few techniques to help you do that.
I spend a lot of time reading the blogs of others, lapping up the helpful tips, experiences, and stories they have to share. It’s important to support these excellent writers, and just as important to share their work for the benefit of others. So, here are some of my favourite articles from the past week or so, covering everything from writing tips and marketing, to calls for submissions and new books to read:
In his book, On Writing, Sol Stein provides a very helpful guide on something writers so often hear about: showing the story instead of telling it. Do you remember asking someone, a family member perhaps, to tell you a story? It’s almost as if we’ve been conditioned to tell rather than show.
Real Writing Stories returns for its second installment. This week, with the help of writer Forest Wells, I’m launching a new weekly feature called My Writing Day. Readers of The Guardian newspaper may have seen this before. A writer shares their average writing day—the process, the distractions, the strife, the achievements. The Guardian however looks at the writing days of more well-known writers only. They’re very insightful and inspirational pieces, but I think the stories of other writers at different stages in their journeys can be more interesting and relatable.