Writing fantasy can so often leave you caught up in a web of your own making. Most fantasy involves a secondary world, that is a world different from our own. Granted, it doesn’t have to be totally original, but it raises the question: how different should we make it? Should we scrap everything we know and play God and build from scratch? Should we shape and morph things that already exist? Or should we keep what everyone finds familiar? These questions can be asked when it comes to inventing anything for our worlds, but one such area in which it’s particularly prevalent is with language. In this new world of ours, does everyone speak the same language?
As you may or may not be aware, I'm in the process of drafting 'A Fantasy Writer's Handbook', a non-fiction guide to writing fiction, fantasy fiction in particular. The book is split into three parts: fiction writing, fantasy writing, and what to do when the writing is done. Today, as a little midweek treat, I thought I'd share one of the chapters from part one: Dialogue.
I’m a bit of a planner when it comes to writing. I need a framework, something to help keep my eye on the end game. Before I begin any story or chapter it has to be planned in as much detail as possible. In the past, most of my planning focused on plot. Moving the story from A to B. While I include character development in this, it never had much of a focal point.
I'm back with another sharing is caring post, bringing you a taste of some of the best articles I've read in the world of blogging in the past week. A varied and insightful bunch awaits you below: 20 calls for submissions, boosting blog engagement, keyboard-loving cats, and sociology and world-building. Thank you, writers, for the top-notch content!
To gain an insight into the role and lives of the lords of the Middles Ages we'll first take a brief look at the reign of King Richard II, otherwise known as Richard the Tyrant. From there we'll turn our focus to the world of barons, the individuals who held almost unlimited power over the land granted to them by the king.
It’s not an easy skill to come up with interesting and compelling characters. My research article exploring reasons why people stop reading a book revealed weak characterisation to be one of the biggest culprits. This article will first consider what makes a character interesting before going on to explore some tools to help you craft your own.